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Dead Freight

Breaking Bad Recap: Buyout

Skyler (Anna Gunn), Jesse (Aaron Paul) and Walter (Bryan Cranston) in Breaking Bad's "Buyout." (AMC)
Skyler (Anna Gunn), Jesse (Aaron Paul) and Walter (Bryan Cranston) in Breaking Bad’s “Buyout.” (AMC)

Season 5, Episode 6: “Buyout”

Purity level: 65%

Leave it to Breaking Bad to zig when we expect it to zag. Following one of the strongest, most action-packed hours of the series, I was certain this week’s episode would pick up right where we left off: with Todd firing his gun and killing the child witness. But this show is nothing if not surprising. Instead of giving us a glimpse of the immediate aftermath, “Buyout” opens with an understated, wordless sequence of the gang (minus Jesse, who surely couldn’t stomach more gore) disposing of the child’s body and his dirt bike in a couple of those vats of acid they always seem to have on hand for such occasions. Once covered up, his murder is barely referenced again. But its repercussions shake the already unstable foundation of our three amigos.

After collectively deciding to keep Todd on the payroll, members of the gang begin to defect. Mike, realizing he can no longer stay ahead of the DEA heat, volunteers to leave, an announcement Walter welcomes. But it’s Jesse’s intended departure that Walt can’t abide. He doesn’t want to sell the methylamine (even if it means they each pocket a cool $5 million), and invites Jesse over to try to change his mind during the most awkward dinner ever. Jesse is just beginning to sense the depths of Walter’s depravity and tries to maintain a façade of normalcy with a flurry of small talk; Skyler, however, knows exactly who her husband is and no longer sees the point in keeping up the charade.

But one hilariously awkward scene does not a good episode make. This felt less like a cohesive hour and more like a belaboured setup for next week, not to mention a compilation of sound bites. The show’s writers have a history of crafting lines that are now ingrained in pop culture (“I am the one who knocks”), but this is the first time it felt like they were trying too hard (“I’m in the empire business”). Also, the idea that Mike would leave Walter alone and tied to a radiator is hard to believe. But it set up one hell of a cliffhanger: Mike returns to the office to find that Walter has escaped and hidden the methylamine. He’s about to kill Walter, but Jesse stops him, insisting that Walter has an idea that ensures Mike and Jesse get their $5 million and Walter gets to keep his methylamine. “Everybody wins,” intones Walter as the screen fades to black.

This Week’s ‘Who’s Bad?’ Index:

Mike: Despite his inability to keep Walter locked down, the hardened heavy wins the week for his repeated evasion of the DEA, not to mention his warning to Todd: “The next time you bring a gun to a job without telling me, I will stick it up your ass sideways.” 8 blue crystals out of 10.

Walter: He told Jesse that the little boy’s murder was keeping him up at night and Jesse would have believed him if he hadn’t come back into the room and heard Walter whistling a jaunty tune like he didn’t have a care in the world. Jesse is (finally!) beginning to question Walter’s motivation (“Is a meth empire really something to be that proud of?”), but Walter once again managed to manipulate Jesse into following his plan. 7 blue crystals out of 10.

Skyler: It looked like she was going to break her silence and finally ‘fess up to Marie – and just then she found out Walter blabbed about her affair. Realizing that her husband has cut off all escape routes, she swallowed her secret – along with a whole lot of wine. 5 blue crystals out of 10.

jenmcdonnell@gmail.com
(This recap first appeared on Canada.com)

Podcast: Last week I joined Canada.com’s Jonathan Dekel and Dan Lytwyn to discuss one of the best episodes of the series (“Dead Freight”) and Walter White’s evolution into “Greedy Buttface Guy.”

Breaking Bad Recap: “Dead Freight”

Todd (Jesse Plemons) and Jesse (Aaron Paul) in Breaking Bad's "Dead Freight." (Photo: AMC)
Todd (Jesse Plemons) and Jesse (Aaron Paul) in Breaking Bad’s “Dead Freight.” (Photo: AMC)

Season 5, Episode 5: “Dead Freight”

Purity level: 90%

“Just because you shot Jesse James doesn’t make you Jesse James,” Mike told Walter a few episodes ago. Many assumed the line was foreshadowing the series’ finale, hinting that Walter’s demise might be at the hand of a supposed ally like James’ murder by Robert Ford. Who could have guessed it was actually previewing a train heist worthy of the legendary outlaw?

First though, we get another killer cold open. Like the series’ best non sequitur intros (the mariachi music video, the taste test in a German facility, the flash-forward of Walter buying a gun in a diner), the audience isn’t immediately able to connect the dots. We know the motorcycle-riding boy collecting spiders in the middle of the desert must somehow be important to the story, but his impact doesn’t become clear until the episode’s final seconds. And what an impact it was.

Things are put in motion when Walter visits Hank in his new office, ostensibly to check in on the kids and have a heart-to-heart, but really to bug the room and find out if the GPS tracker found last week was placed there by Lydia or the DEA. After Walter, Jesse and Mike determine that Lydia didn’t set them up, they struggle to find a new source of methylamine. As Walter and Mike argue over how to move forward (with Mike wanting to return to the safer, low-yield pseudoephedrine cook and Walter pushing for Lydia’s high-risk plan to rob a train carrying the chemical), Jesse has one of his increasingly frequent “a-ha!” moments, silencing the bickering papa bears by coming up with a way to steal the liquid from the train without anyone noticing.

So kicks off one of the most heart-pounding, brilliantly executed sequences in the show’s history. Walter, Jesse and Mike recruit a handful of accomplices (including Saul’s henchman Kuby and exterminator Todd). They concoct an elaborate scheme in which Kuby pretends to stall his truck in the middle of the railroad tracks, stopping the train long enough for Jesse and Todd to siphon off the methylamine and replace it with water. The intricately orchestrated heist is nearly derailed by a good Samaritan, but they manage to complete the mission just as the train begins moving, with Todd jumping from the roof and Jesse flattening himself against the tracks. (He’s literally run over by a freight train – they might as well have labelled the locomotive “Walter”).

Cue jubilation and a few obligatory “Yeah, bitch!” cheers from Jesse, until they notice the boy on the motorcycle watching them. They all freeze as the boy waves tentatively. Todd waves back, and then pulls out a gun and SHOOTS THE KID!

This Week’s “Who’s Bad?” Index:

Todd: Todd seemed like the perfect accomplice at the beginning of the heist, asking lots of questions and stroking Walter and Jesse’s egos with his awe-struck reverence (“You guys have thought of everything!”). But he grossly misinterpreted Jesse’s orders to keep quiet (“No one, other than us, can ever know this robbery went down”), and now the crew will have the murder investigation of a little kid on their hands (and their conscience). The fact that Todd is played with unblinking cruelty by Jesse Plemons (who played the good-hearted Landry on Friday Night Lights) only heightens the horror. 10 blue crystals out of 10

Walter: Protecting kids is a recurring theme on Breaking Bad, and it’s touched upon multiple times in this episode (from Walt’s blubbering to Hank about being a “bad influence” on Walter Jr. and Holly, to Skylar’s demands that the kids stay away, to Lydia’s desperate invocation of Walt’s children). We know how Jesse’s going to feel about this (his “No! No!” screams as Todd reached for the gun were heart-breaking), but the camera purposefully didn’t capture Walter’s reaction to the boy’s murder. He already established with Brock that he’s not above endangering children, but actually killing one? We’ll know how bad Walter is really breaking these days by his reaction next week, but our guess is: pretty bad. 8 blue crystals out of 10

Lydia: OK, can we all agree that Lydia is this season’s most annoyingly inconsistent character? One minute, she’s a cowering, blubbering mess and the next minute, she’s a badass who’s mocking the guys for not wanting to kill two men and demanding payment for giving them the train manifesto. 6 blue crystals out of 10

Jesse: Still crushed by his role in Gale’s killing, Jesse is now trying to run a murder-free operation. He repeatedly pleaded on Lydia’s behalf, and he concocted a plan to rob the train without having to sacrifice the engineer and conductor. And we already know that a child in danger is Jesse’s kryptonite (see the kid in the crack house, Brock, Andrea’s little brother, etc.). This is going to kill him – but possibly not before he kills Todd. 5 blue crystals out of 10

Syklar: Does anyone else think Syklar has hatched a secret plan to take down Walter? Her sudden about face (“I’ll launder your money, I’ll do whatever you want, but the kids stay at Hank and Marie’s”) didn’t exactly ring true. For someone so cunning, hoisting her kids onto her sister and brother-in-law doesn’t seem like a realistic long-term plan. It could be years before Walter gets caught or his cancer returns. Is it possible she’s figured out a way to shorten that timeline? 3 blue crystals out of 10

(This recap was originally posted on Canada.com)

jenmcdonnell@gmail.com